#The long dark cheats 2020 pro
(He was particularly fond of a story about getting banned from Caesars Palace over a misunderstanding involving a sex worker.) But up until the summer of 2018, few of the pro players at Stones thought much of his poker prowess. A generous soul who exuded a puckish charm, Postle was the sort who'd pay for everyone's drinks while regaling the bar with bawdy tales. Like many others who spent huge chunks of time at Stones, Brill had long considered Postle a friend. Gliding west on Interstate 80, Brill realized she had no choice but to commit one of poker's cardinal sins. Fellow players would gossip that jealousy had driven her to smear a more accomplished rival, a decent man who'd just come through a harrowing family drama. Her insinuation about Postle, though subtle, had the potential to cause a stir. Late that night, as she drove in silence toward her Bay Area home, Brill turned the broadcast over and over in her mind. It's weird.” Sounding caught off guard by his cohost's skeptical remarks, Kelly continued effusively-“Absolute insanity, guys!”-before managing to change the subject. “It doesn't make sense,” she said, her soft monotone tinged with mockery. Brill leaned back, gently shook her head, and took a half-step toward calling out God. But the fold against Cordeiro struck her as so fishy that she could no longer keep quiet. For months she'd resisted mentioning her suspicions on the livestream, hoping that Stones would handle the matter behind the scenes. She had been observing Postle up close for a while, both as an opponent at the table and a broadcaster, and she'd come to believe there was a nefarious reason for his success. Kelly's co-commentator, 42-year-old Veronica Brill, did not share his sense of awe. He'd become such a force on Stones' livestream, in fact, that casino regulars had taken to calling him the Messiah and even God. Those instincts had served him well in recent months: He was in the midst of an epic winning streak-a “heater”-that had turned him into a local folk hero. But Postle had an unorthodox style of play, and he often made decisions that his rivals deemed either wildly aggressive or inexplicably meek. Most seasoned players would call or raise in his situation: The statistical likelihood that his hand would yield a favorable monetary outcome was high enough to make proceeding to the river an easy choice. Postle, his white baseball cap nearly concealing his eyes, clutched his right shoulder with his left hand as he mulled his options. The turn produced the relatively useless 4 of spades, after which Cordeiro placed a $600 bet. There were two shared cards left to be dealt. The flop contained the 8 of spades, 9 of diamonds, and jack of diamonds-a promising trio for Postle, who now had a pair (jacks) and was just a 10 away from a queen-high straight (8–9-10-jack-queen). Players would vie for the pot by assembling the best five-card hands using their hole cards and the shared array. After that, the dealer would add a single card (“the turn”) followed by one more (“the river”). The first face-up batch, called the flop, would consist of three cards. Five community cards were then to be dealt face-up in three rounds, with opportunities for betting in between. Like all games of Texas Hold 'Em, the most widely televised form of poker, the action began with each player receiving two face-down cards-the hole cards. Yet, as usual when he appeared on Stones' livestream, Postle was shredding the competition he was the evening's chips leader by a comfortable margin.įive hours into the show, a curious hand took shape. One pro from Las Vegas had flown in on a chartered jet with $50,000 in cash. The September 21, 2019, game, which Stones was broadcasting to audiences via YouTube and Twitch, had attracted several top players to the casino's card room, a gaudily lit space done up like an Old West saloon. The moonfaced 42-year-old was deep into a marathon poker session at Stones Gambling Hall, a boxy glass-and-steel casino wedged between Interstate 80 and a Popeye's in suburban Sacramento.
0 kommentar(er)
